The ADC Theatre, our usual venue, will be closed from April until October 2008
for refurbishment works to complete the theatre's
 improvement programme.
 Our Summer production will be presented
at The Corpus Christi Playroom, St Edward's Passage, Cambridge
Our Christmas 2008 production will be at the ADC Theatre.

Current Production

July 2008

Cast

Dick Barton / Snowey White   GUY HOLMES
BBC Announcer   NICK WARBURTON
Baron Scarheart   DAVID FOYLE
Marta Heartburn   MEG DIXON
Jock Anderson   MIKE MILNE
Daphne Fritters   KATHY WHOLLEY
Colonel Gardiner / Rodger   RON MEADOWS
Sir Stanley Fritters / MC / Wilco   KEN EASON
Lady Laxington   SALLY MARSH
Boboo   HIMSELF

Hacks, Convicts, Thugs, Guards, Cabaret Girls, Criminals

played by Members of the Cast
     

Production Team

Director   COLIN LAWRENCE
Design Consultant   TONY BROSCOMB
Stage Managers   JOYCE FENTON & JUDY HANSON
Costume Design   LYN CHATTERTON
Sound Design   GRAHAM POTTER
Lighting   MARK EASTERFIELD
Wardrobe Assistant   JUDY HANSON
Publicity Artwork & Programme   COLIN LAWRENCE
Finance   ANDY WALLER
Front-of-House Arrangements   ROSEMARY EASON
Marketing    LYN CHATTERTON
Photographs   SOPHIE WILSON

 

With the kind permission of the author, Phil Willmott, Bawds has adapted the script of
the original full stage production. 

The play will be presented in the intimate setting of The Corpus Christi Playroom by recreating a 1940s BBC recording studio.  The actors will play out the events in a similar fashion to the original recordings with live and recorded sound effects and the famous Dick Barton theme music, ‘The Devil’s Gallop’.

 Gaberdine collar up, trilby at a rakish angle, intrepid sleuth Dick Barton faces arch enemies
Baron Scarheart and Marta Heartburn in an action packed adventure,
aiming to rid the world of evil in the name of decency and patriotism.
  Based on the 1940s BBC radio serial, Phil Wilmott's critically acclaimed and deliriously
funny version of DICK BARTON - SPECIAL AGENT pokes fun at the
English hearts-of-oak heroics with all the attendant class
distinctions and tender regard for the little woman.

Walks a very fine line between homage and camp spoof.
The result is something that captures all the patriotic fervour of Hun-hating post-war Britain
even as it sends it up rotten.
(Lyn Gardner, Guardian)

For further information contact Colin Lawrence

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