TREASURE ISLAND
(2002)
For a review of the show see the foot of this page


TREASURE
ISLAND
Bawds
- ADC Theatre December 2002
As
the German visitor said, when offered a programme for £1, " I think I can
remember the plot". So, no need to start with an explanation of the story
then, but simply to say that this was an adaptation by Bernard Miles, Peter Coe
& Josephine Wilson of what the flyer said was "perhaps the greatest
swashbuckling story of all time which did much to free children's literature
from its moral straight jacket". The flyer also declared "For sheer
pace, energy and excitement Treasure Island has few equals. Towering over
everything is Long John Silver, the one legged manipulator, charged with energy,
charm and guile. So did the Bawds production live up to the publicity?
What you saw as you entered the theatre was the back of a very large TV but that was nothing to the surprise that was to come. As the story unfolded on the screen the cutlass swinging pirate band invaded the auditorium "looking for the boy". We knew then that we would be involved in an all action production.
Opening
in the "Admiral Benbow Inn” we are introduced to Jim Hawkins
(played on Friday by Raphael von Blumenthal),
the villainous Black Dog (Colin Fish)
and the drunken Billy Bones (Paul Philpott)
who has that map which he is able to pass to Jim for safe keeping. Add in Blind
Pew (Mike Milne) and his gang and the
gentry, Squire Trelawney (Nick Warburton) and
Dr Livesey (Hugh Mellor) and the plot
starts. Move to "The Spyglass Inn” and we meet two other important
characters Long John Silver (Guy Holmes)
and Captain Flint (Ringo) the real
live parrot who I understand on some nights remembered most of his lines. We
then went on board the "Hispaniola" to see Captain Smollett
(Malcolm Underwood) inspecting his crew and his employers. Finally we arrive
at the Island and discover Ben Gunn (Colin
Fish) who has already discovered the treasure making the map useless.
Written like this makes the play sound bland
- it was anything but.
The
sets designed by Tony Broscomb were
ingenious but the Hispaniola was just brilliant, with mast, wheel, bridge deck,
below deck cabins, rigging and steps. There were some problems with acting
behind the mast and the wheel but very good use was made of the cabins and
steps. The only thing I thought it lacked was a bell, which might have given an
effect of the long passing of time on board. The Inns and the stockade had to be
moved easily so lacked some rigidity and they took some knocks with the fights.
The island was created by the use of two drops, which again created the
right visual impression. The sets were enhanced by all the appropriate props.
The effects were well presented with the storm and its lightning and thunder
were very realistic.
To be a swashbuckling adventure - good fights were needed. This we had aplenty. I had heard about the cuts and bruises in rehearsal. All I can say is they were worth it as I think these were the best fight scenes I have seen on the Cambridge stage. They were full of energy, frenetic action and well choreographed by Fight Arranger, Brian Richardson. For me the best fight was between Israel Hands (Dave Foyle) and Harry O'Brien (Andrew Waller).
On a different note (literally) the scene changes carried out to the pirates singing sea shanties was a superb idea using the particular skills of members of the cast to best effect.
That
brings me to the performances. There were no weak links anywhere and the
standard was set right at the beginning with Back Dog and Blind Pew who moved
from friendliness to menace effortlessly. The pirates were truly a rough and
ready lot, and I thought that Simon Hirst
was particularly impressive. The "gentry" were all played well. Dr
Livesey was a part made for Hugh Mellor;
Nick Warburton brought the right
balance of enthusiasm, humour and stupidity to Squire Trelawney and Malcolm
Underwood was clearly the Captain and in charge. There are two parts that
any character actor would want in Treasure Island, Long John Silver and Ben Gunn.
Guy Holmes was brilliant as Long John. With leg strapped up and
working out the character through his moves, accent with again the changes from
friend to foe with "charm & guile". At no time did Guy fall back
on other portrayals of LJS and has therefore set another high standard. Colin
Fish's Ben Gunn was great fun. Again carefully worked out and with excellent
make-up Colin gave us another definitive portrayal.
For me Colin stole the show by his performances as both Black Dog and Ben
Gunn.
This was an all action show with high energy levels although I thought that the dialogue (plot setting bits) sometimes lacked the pace & punch to match the action. Nevertheless Colin Lawrence's TREASURE ISLAND did live up to its publicity.
And
finally! Returning to the programme, the German should have handed over his
pound. It would have bought him 12 packed pages of detailed information on RLS
and Treasure Island, a worthwhile souvenir of a great night of spectacular
entertainment. Well done Bawds,
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