TREASURE ISLAND 

(2002)

For a review of the show see the foot of this page

 

 

 

 

    

 

TREASURE ISLAND
Bawds - ADC Theatre  December 2002
Reviewed by Ron Meadows

As the German visitor said, when offered a programme for £1, " I think I can remember the plot". So, no need to start with an explanation of the story then, but simply to say that this was an adaptation by Bernard Miles, Peter Coe & Josephine Wilson of what the flyer said was "perhaps the greatest swashbuckling story of all time which did much to free children's literature from its moral straight jacket". The flyer also declared "For sheer pace, energy and excitement Treasure Island has few equals. Towering over everything is Long John Silver, the one legged manipulator, charged with energy, charm and guile. So did the Bawds production live up to the publicity?

 What you saw as you entered the theatre was the back of a very large TV but that was nothing to the surprise that was to come. As the story unfolded on the screen the cutlass swinging pirate band invaded the auditorium "looking for the boy".  We knew then that we would be involved in an all action production.

Opening in the "Admiral Benbow Inn” we are introduced to Jim Hawkins (played on Friday by Raphael von Blumenthal), the villainous Black Dog (Colin Fish) and the drunken Billy Bones (Paul Philpott) who has that map which he is able to pass to Jim for safe keeping. Add in Blind Pew (Mike Milne) and his gang and the gentry, Squire Trelawney (Nick Warburton) and Dr Livesey (Hugh Mellor) and the plot starts. Move to "The Spyglass Inn” and we meet two other important characters Long John Silver (Guy Holmes) and Captain Flint (Ringo) the real live parrot who I understand on some nights remembered most of his lines. We then went on board the "Hispaniola" to see Captain Smollett (Malcolm Underwood) inspecting his crew and his employers. Finally we arrive at the Island and discover Ben Gunn (Colin Fish) who has already discovered the treasure making the map useless. Written like this makes the play sound bland  - it was anything but.

 The sets designed by Tony Broscomb were ingenious but the Hispaniola was just brilliant, with mast, wheel, bridge deck, below deck cabins, rigging and steps. There were some problems with acting behind the mast and the wheel but very good use was made of the cabins and steps. The only thing I thought it lacked was a bell, which might have given an effect of the long passing of time on board. The Inns and the stockade had to be moved easily so lacked some rigidity and they took some knocks with the fights.  The island was created by the use of two drops, which again created the right visual impression. The sets were enhanced by all the appropriate props. The effects were well presented with the storm and its lightning and thunder were very realistic.

To be a swashbuckling adventure - good fights were needed. This we had aplenty. I had heard about the cuts and bruises in rehearsal. All I can say is they were worth it as I think these were the best fight scenes I have seen on the Cambridge stage. They were full of energy, frenetic action and well choreographed by Fight Arranger, Brian Richardson. For me the best fight was between Israel Hands (Dave Foyle) and Harry O'Brien (Andrew Waller).

 On a different note (literally) the scene changes carried out to the pirates singing sea shanties was a superb idea using the particular skills of members of the cast to best effect.

 That brings me to the performances. There were no weak links anywhere and the standard was set right at the beginning with Back Dog and Blind Pew who moved from friendliness to menace effortlessly. The pirates were truly a rough and ready lot, and I thought that Simon Hirst was particularly impressive. The "gentry" were all played well. Dr Livesey was a part made for Hugh Mellor; Nick Warburton brought the right balance of enthusiasm, humour and stupidity to Squire Trelawney and Malcolm Underwood was clearly the Captain and in charge. There are two parts that any character actor would want in Treasure Island, Long John Silver and Ben Gunn. Guy Holmes was brilliant as Long John. With leg strapped up and working out the character through his moves, accent with again the changes from friend to foe with "charm & guile". At no time did Guy fall back on other portrayals of LJS and has therefore set another high standard. Colin Fish's Ben Gunn was great fun. Again carefully worked out and with excellent make-up Colin gave us another definitive portrayal.  For me Colin stole the show by his performances as both Black Dog and Ben Gunn.

 This was an all action show with high energy levels although I thought that the dialogue (plot setting bits) sometimes lacked the pace & punch to match the action. Nevertheless Colin Lawrence's TREASURE ISLAND did live up to its publicity.

And finally! Returning to the programme, the German should have handed over his pound. It would have bought him 12 packed pages of detailed information on RLS and Treasure Island, a worthwhile souvenir of a great night of spectacular entertainment. Well done Bawds,

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